The Pilgrim of Love: a ludibrium by Charles Davis

pilgrim

“I was pleased to discover in myself an uncanny knack for interpreting the hermetic language of alchemy, as if my book learning had been but a preparation for decrypting enigmatic texts, reading meaning into that which, on the surface, seemed meaningless.”

So says the unnamed narrator of Charles Davis’ The Pilgrim of Love: a ludibrium, an obsessively researched and elaborately plotted parody of an historical romance. (Parody, as I understand the term, is best written by an author who actually loves his target, but who can put some ironic distance between himself and his subject.) The story is set in the abbey of the legendary Mont Michel in 1621, when the absence of roadway access meant visiting pilgrims had to make their way around quicksand between dangerously unpredictable tides. The landscape always plays an important and often symbolic role in Davis’ novels. The pilgrims must interpret the patterns in the sand to avoid sinking in the lise. Continue reading

Pnin by Vladimir Nabokov

Pnin Vintage

He is not a very nice person but he is fun – Nabokov describing the character of Pnin in a letter to his editor at The New Yorker

Readers of my third novel, The More Things Change, who at the current moment in time comprise a not entirely significant two, my current wife and my only daughter (though not a daughter to my current wife despite the fact she treats her like a second daughter), will recall – Continue reading

Frog City Updike by Arthur Graham

Frog City Updike never would’ve been without Brautigan’s Trout Fishing in America, the book that showed me just how loose I could get with form. — Arthur Graham, Big Al’s Books and Pals

One of the words I use too often in reviews is “interesting,” but I never really make it clear whether a particular word piques my interest or holds it. It’s the same with “nice,” which I also overuse; nice can have negative connotations; the last thing your wife wants to hear when she walks in wearing a new outfit is, “You look nice, Dear.” Even more confusing I would expect is when something gets referred to as “nice and interesting.” Frog City Updike–the place, not the book–sounds like a nice, interesting place. I’m not sure I’d want to live there but if I did I can see myself running across interesting things and saying, “Oh, that’s nice,” or vice versa. Continue reading

Editorial by Arthur Graham

The following is my editorial of Arthur Graham’s Editorial (Bizarro Press Edition,  149 pages).
The following (edited) definitions of editorial are from Dictionary.com:

noun — an article presenting the opinion of the editor.

Whoever the editor is–the unnamed narrator, a young orphan who remembers “days of reading and masturbating in my room” but doesn’t remember, at the time of telling, what his age was (17 or 28)–is dumped by auntie and uncle into the cruel sea of the outside world with his heavy burden, a suitcase filled with dirty magazines. The narrator assumes that the reader is surprised: Continue reading

All About H. Hatterr by G.V. Desani

Warning!!

Warning!!

Better heed those first warnings, and all those !!!!! This – fellers! femmes! — this book – is mad. Like a hatter?

Ostensibly an “autobiographical,” All About H. Hatterr, by Govinas Vishnoodas Desani (New York Review Books, 318 pages) was first published in 1948. Desani explains,

…Though I was attending a world war, the first row, I worked….It seemed I’d be stuck for years; the post-Cease Fire ones too…well meaning people kept butting in, demanding that I stop breathing the bracing air of war-time England with my windows shut. I do anything for peace…the windows open, work would be impossible…

Continue reading

Randolph’s One Bedroom by Andrew Oberg

Randolph’s One Bedroom (CreateSpace, 156 pages), for me, wasn’t so much about Randolph as it was his state of mind, specifically how he dealt with the everyday oddities of his world. The truth is stranger than fiction, and where Randolph lives, pretty much everything is strange. What I think I loved most about this story collection was that none of the characters were all that out of the ordinary. We are surrounded by the bizarre every single day, and we, like Randolph, have become unaffected by the goings on around us. If we didn’t insulate ourselves in this way, we would all be mental by now. When I see some of the things my own neighbours do, I swear my husband and I are the only normal people on the block. That’s a stretch, all things considered, but then we think, hey, they probably think we are weird, and they wouldn’t be that far off base. That’s really the whole point of the book I think: it’s an abstract look at society’s various psychological tics. Randolph’s cursing pet parrot is really the only thing predictable in his entire world, well, that and he never gets any mail. Continue reading