Newton’s collection of surreal stories, Seven Cries of Delight (Recital Publishing, 170 pages) was nominated by Brent Robison who, in his review, writes, “As legions of MFA students busily workshop their childhood drama into market-friendly ‘realistic’ fiction, Tom Newton has clearly been following a different muse.” At Dactyl Review we value unique and eccentric talent and our readers will find those few authors writing today who aren’t trying to appeal to the most common of those dominating the market. Newton appeals to a special literary taste, to those whose minds tend to wander, who question the act of thinking itself and who often catch themselves in the act, examining the form and structure of the process of meaning-making. In short, Newton writes about thought-art. Continue reading
Happy New Year to all our friends. Looking back on 2019, I optimistically note that participation at Dactyl Review has increased since 2018, with many good contributions: reviews, new book announcements, and editorials. We have nine new nominations for the Dactyl Literary Award this year, and these will be in the running for the 2019 award, together with nominations from previous years when no prize was awarded.
Although we usually announce the winner fairly early in the year, I have not yet read all the nominated books. I beg your patience. It’s a lot of very important work that I take seriously. And I also have a review of a book from my favorite literary fiction publisher, McPherson & Co., to finish and post soon. (It’s been a crazy, busy year for me.) In the meantime, I will personally match any donations (up to $500) made to Dactyl Foundation between now and the day of the award announcement. As always, and at any time in the year, your donation is fully tax-deductible.I want to take this time to mention that contributing editor U. R. Bowie reviewed Olga Tokarczuk’s, book Flights, translated into English by Jennifer Croft, which subsequently won the Nobel Prize for Literature in 2019. Bowie’s review was one of the first to praise the book and his review is one of the longest and most complex to be published before the Nobel prize announcement. You read it here first. Good catch, Bowie.
Looking forward to Dactyl Review‘s 10th anniversary in March of 2020, Dactyl Foundation is pursuing plans to operate as a non-profit hub for a literary publishing cooperative. Since 2010 we have been providing authors with what they need most: excellent peer reviewers, potential to receive a generous financial award, recognition for good work, and a community of like-minded authors. We hope that our cooperative venture will provide much, much more of the same and then some.
Thanks everyone for all the reading, writing and reviewing you do.
V. N. Alexander, Editor, Dactyl Review
Won’t you please support Dactyl Foundation with a generous donation? The first step to making the world a better place is to read books that get you to think more. Your tax-deductible donation will support literary fiction and the Dactyl Review. https://dactylreview.com/about/
At first I liked the fact that readers could find every one of my books on the shelf at one place. I liked the way Amazon bought directly from the publisher, cutting out Ingram book distributor, which had become a monopoly. But I always wondered how Amazon could sell books so cheap. Now that they’ve put other booksellers out of business and are getting into publishing themselves, Amazon can begin to eliminate less-than-best-selling inventory. Continue reading
U.R. Bowie’s The Tale of the Bastard Feverfew: One Man’s Journey into the Land of the Dead wins Dactyl Foundation’s annual award for literary fiction.
Bastard Feverfew is about an insurrection at a maximum security prison. Mike Miller (author of Worthy of this Great City) reviewed this year’s winner, noting that “The book succeeds in that it leaves the reader with a sense of a journey taken. We’ve experienced a reality we’d prefer to deny, we’ve endured and survived but will never completely forget. That’s an accomplishment for both author and reader.”
In addition to publishing six novels/short story collections over the past four years (Gogol’s Head, Hard Mother, GoogleGogol, Disambiguations, Own: The Sad and Like-wike Weepy Tale of Wittle Elkie Selph, and Anyway, Anyways ), Bowie has been a prolific contributor to Dactyl Review in 2017.
Congratulations U. R. Bowie and many thanks to Mike Miller for submitting the review. Bowie and Miller each agreed to a review exchange this year, and we hope other reviewer/writers will be encouraged to support each others’ work.
-VN Alexander, Editor
In 1959 Elizabeth Hardwick, novelist, reviewer, and wife of poet Robert Lowell, wrote a pointed critique of the book reviewing industry. She noted that the most trusted of review organs, the New York Times Book Review, was remarkable only for “the flat praise and the faint dissension, the minimal style and the light little article, the absence of involvement, passion, character, eccentricity — the lack, at last, of the literary tone itself.”
That was 1959. The year is now 2017 and coming to a close, and that means it’s time for me to come to you, hat in hand, to ask for your support for Dactyl Review, a literary fiction book review created by and for the literary community. If sixty years ago literary reviewers had begun to dwindle, as Hardwick noted, in the following decades we have seen the disappearance of the literary reader, the literary writer’s habitat. You may think rightly of this as an appeal to save an endangered species.
Every year, about this time, I try to explain why literariness matters, why we all need a little poetics in our lives. You can find some of these appeals here and here and here. The same still goes for 2018. Please be as generous as you can. We’ve got some great authors and reviewers here who need readers. And your donation is tax-deductible.
-VN Alexander, Editor
I had been director of the Dactyl Foundation in NYC for a dozen years, organizing art-science collaborations and hosting poetry readings, before it occurred to me that we were doing nothing to support literary fiction. As a literary fiction novelist myself, I was well aware that these unlikely-to-be-bestsellers could use some support. But it was not immediately clear to me what I could do to help. Hosting readings did not work. Poets tend to turn out for each other and buy each other’s work; they dedicate poems to each other and even write poems about each other’s poems, but not literary fiction novelists; they are as independent as cats. They keep to themselves, don’t do reviews, fear influence, and reserve their admiration for dead authors.
I was such a writer, I realized. What could I do to get mavericks, like myself, to form a community?
Sea of Hooks (McPherson & Co) was nominated by Barbara Roether, author of This Earth You’ll Come Back To. In her review of Hill’s unusual novel, Roether writes,
There is a paradox that floats through the Sea of Hooks, which is that the experience of reading it is almost the opposite of how it is written. That is to say, while the story is told in its short collage-like segments, their effect is an almost seamless classical narrative. The way sections move from multiple perspectives, dreamtime, real-time, then meld together with such cohesive and penetrating storytelling, is a testament to the author’s insightful eye for detail and character.
Throughout most of our lives, we can ignore our fears about the threat of non-existence that yawns beyond the casket with as much reality as the non-existence out of which we came into our cradles. But when facing death, our own or that of a loved one, we feel compelled to review the idea of after life. Believers ratchet up their beliefs and atheists, like Hal in Jim Snowden’s Dismantle the Sun (Booktrope, 324 pages), hang tough.
According to conventional wisdom, atheists are imaginary creatures. No one (except other atheists) believes they exist, certainly not in the foxhole of impending death. This is why deathbed conversions are expected, even in the most “literary” of end-of-life novels, despite the fact that one of the accepted roles of a literary fiction author is to question how we make sense of our lives. If most novels have the same after-life-affirming answer, I wonder if these novelists are really asking themselves the question, or merely posing it rhetorically for the sake of a denouement. Every deathbed conversion, it seems to me, is another failure to actually question the meaning of life. Continue reading
Dactyl Foundation offers a $1000 award to any literary fiction author, writing in English, who has published a book-length work, novel or collection of short stories. To be considered for the 2016 award, an author must be nominated by a peer, another published literary fiction author who must submit a review of one of the author’s works to Dactyl Review by December 31, 2015. Continue reading