IN SURREAL VIETNAM, AND BACK HOME IN THE UNREALITY OF THE U.S.A.
The title story of The Things They Carried: A Work of Fiction (Houghton-Mifflin, 246 pages, from the Series: Looking Back at Literary Classics of the Past) comes first in the collection, a story cataloging all the different things that an American foot soldier, or “grunt,” carried during the Vietnam War. This includes not only entrenching tools, Claymore antipersonnel mines, assault rifles, the M-60 machine gun and grenade launchers, but also pictures of girlfriends, an illustrated New Testament (Kiowa, a native American and devout Baptist), tranquilizers (Ted Lavender, “who was scared, until he was shot in the head outside the village of Than Khe”), the medic Rat Kiley (“a canvas satchel filled with morphine and plasma and malaria tablets and surgical tape and comic books”). The grunts also carry lice, ringworm, and other hazards of the humid climate, along with dreams for the future and fear of death or embarrassment. Continue reading
The state of platform cooperativism November 7-9, 2019 at the New School in NYC.
Around the globe, we are starting to build an alternative economy that benefits the many, not just the few. Our passions, research, and projects challenge platform capitalism and chart a more democratic future. We show that an inclusive economy is not only necessary but already growing among us.
When starting a platform co-op, we have a much better chance at success if we rely on the support of our communities, established co-ops, incubators, co-op banks, unions, foundations, researchers, lawyers, technologists, and policymakers. “Who Owns the World?” is about building connections between these groups, finding the much-needed support, and learning from each other. For the first time, this event will bring together many of the most active players in this movement worldwide to share updates and insights, instigate initiatives, make new friends, lift each other up, plan next steps, and find new business partners as well as funders.
Celebrating 10 years of digital labor conferences at The New School, “Who Owns the World?” will feel the pulse of platform cooperativism, worldwide.
Victoria Alexander, director at the Dactyl Foundation and editor of Dactyl Review, will speak on Saturday Nov 8th about efforts to transform literary fiction publishing using a co-operative platform model.
New Book Announcement
The year is 2002, the devastating attack of 911 in New York still reverberates. Osama bin Laden is in hiding. Defense Secretary Rumsfeld says, “If he’s alive, he’s somewhere?” In reply, President Dubya Bush squints and makes threatening gestures. The U.S. government marshals all its forces to find and kill the archenemy of Western Civilization. Urell L. Buies, Ph.D., a college professor with a sideline of decades in low-level intelligence operations, is recruited to work with Russian intelligence in Central Asia. The Russians promise they can find Osama. While in Samarkand, Uzbekistan, doing little more than waiting for something to happen, Buies begins writing a long account of his formative years and his life as a double agent. Or what he terms, ironically, “a double non-agent.” As the story of his life moves closer to present time, the narrative moves to the climactic point: the day the Russian helicopter goes in after Osama.
Once again, using a multiplicity of influences from classical Russian literature, U.R. Bowie creates a fascinating imaginative world. In a novel that looks backward to the nineteen century, backward to a Florida childhood in the forties and fifties of the twentieth century, then forward to events culminating in the assassination of Osama bin Laden in the twenty-first, we are offered wit, intelligence, richness of detail, quirky characters, and an impressive grasp of Russian history, literature, arts and culture. The echoing, overlapping stories—but, more impressively, a large array of characters—draw in the reader and lead gracefully to a powerful crescendo. The author deftly manages the trick of scope, hitting all the right notes to sound out the big picture, while making us hear, feel, and commiserate with the people at the heart of the interwoven tales.
Seven Cries of Delight (Recital Publishing, 170 pages) is not like most collections of literary short stories. As legions of MFA students busily workshop their childhood drama into market-friendly “realistic” fiction, Tom Newton has clearly been following a different muse. These stories (two dozen of them!) range widely in setting and imagery and allusion, but all are hung on a solid spine: a lively curiosity about the deeper, invisible nature of what we call reality. This curiosity is expressed as speculative imaginings and unharnessed mental rovings, with an articulate, wryly humorous voice that obviously springs from a well-traveled and well-read intellect. At every turn are enjoyable discoveries of unlikely connections, unpredictable logic, and unanswerable questions.
New Book Announcement
My first novel just emerged into the world after too many years in gestation. It has a strong Hudson Valley NY presence but also ventures to Utah deserts and further foreign hotspots. In addition to the blurbs on the website, I like John Burdick’s take on it in the Almanac Weekly: “Ponckhockie Union is a mad fireworks display of global conspiracy and paranoia, haunted synchronicities, shadow-world manipulations of history, tricksters and false guides and the sudden and irreparable rupture of everything normal and stable in one man’s life. It also posits a model of what a sturdy self might look like after such a rupture, after acute exposure to the things going on underground and overhead. And it takes place down by the Rondout.” That’s a reference to the creek adjoining the Ponckhockie neighborhood of Kingston, NY, where the British landed in 1777 to burn down New York’s first capital. But historical fiction this is not. There are shadowy assassins, but it’s not a “whodunit;” perhaps a “who-am-I” is more accurate. With a pinch of metafiction thrown in. Available online and by order at bookstores.
Beginning immediately, authors who have reviewed on this site in the past year are encouraged to send in news and announcements about their own books. Let us know if you have a new book out, or your old book just got another good review, or any noteworthy anecdote about your novel or short story collection. Keep it brief. About 500 words.
Also Dactyl Review continues to offer you the opportunity to post your available review copies here.
Three Dialogs about Ron Maclean’s Three-Part Short Story Collection, We Might as Well Light Something on Fire (Braddock Avenue Books, 179 pages):
I. goats, rabbits, etc.
We’re going to talk about we might as well light something on fire .
Right. You know the writer?
Is he brave?
I was never in combat with him. Why do you ask?
Guy writes a really far out book called we might as well light something on fire, some smartass will say, right, let’s start with this book.
That would be an incendiary insult to one of the most original collections I have ever read. How do you want to proceed?
Section by section, one of the three sections for each meeting, and concentrate on one story. Continue reading