Dactyl Foundation 2017 Literary Fiction Award

U.R. Bowie’s The Tale of the Bastard Feverfew: One Man’s Journey into the Land of the Dead wins Dactyl Foundation’s annual award for literary fiction.

Bastard Feverfew is about an insurrection at a maximum security prison. Mike Miller (author of Worthy of this Great City) reviewed this year’s winner, noting that “The book succeeds in that it leaves the reader with a sense of a journey taken. We’ve experienced a reality we’d prefer to deny, we’ve endured and survived but will never completely forget. That’s an accomplishment for both author and reader.”

In addition to publishing six novels/short story collections over the past four years (Gogol’s Head, Hard Mother, GoogleGogol, Disambiguations, Own: The Sad and Like-wike Weepy Tale of Wittle Elkie Selph, and Anyway, Anyways ), Bowie has been a prolific contributor to Dactyl Review in 2017.

Congratulations U. R. Bowie and many thanks to Mike Miller for submitting the review. Bowie and Miller each agreed to a review exchange this year, and we hope other reviewer/writers will be encouraged to support each others’ work.

-VN Alexander, Editor

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Hotel Ortolan by Tom Whalen

If you choose to read this book, to visit this Hotel, you will find it to be finely crafted by photographer Michel Varisco and writer Tom Whalen into a labyrinth of stairways and passageways of uncertainty, mystery, and intrigue, along which there are scattered bread crumbs, enticements, clues and innuendo that will take you down corridors that you hope will lead to your room. Henry Green described good prose as a “gathering web of insinuations.” Once you check in, whatever past you may have had will become a forgotten dream and then time itself will become inverted, then finally cease to have any meaning at all. Continue reading

The Heritage of Smoke by Josip Novakovich

In The Heritage of Smoke (Dzanc, 240 pages), a collection of short stories set mainly in 20th century war-wrecked Croatia or Ex-Yugoslavia, Josip Novakovich makes American-born writers, whose plots inevitably turn on sexuality and identity, seem merely whiny and self-obsessed. This masterful storyteller follows ordinary lives in the relatively small, recently-renamed Eastern European country, of which Americans are only vaguely aware, whose diverse cultures and old animosities persist through regime change. Caught between the whims and wars of super power nations and petty dictators, the characters revealed here endure, curse, and try to have fun. Novakovich’s characters tend to be listless, jaded, and stubborn, but they also have a kind of a dignified persistence, like old trees growing in the cracks of mountaintop stone . Continue reading

It’s that time of year

In 1959 Elizabeth Hardwick, novelist, reviewer, and wife of poet Robert Lowell, wrote a pointed critique of the book reviewing industry. She noted that the most trusted of review organs, the New York Times Book Review, was remarkable only for “the flat praise and the faint dissension, the minimal style and the light little article, the absence of involvement, passion, character, eccentricity — the lack, at last, of the literary tone itself.

That was 1959. The year is now 2017 and coming to a close, and that means it’s time for me to come to you, hat in hand, to ask for your support for Dactyl Review, a literary fiction book review created by and for the literary community. If sixty years ago literary reviewers had begun to dwindle, as Hardwick noted, in the following decades we have seen the disappearance of the literary reader, the literary writer’s habitat. You may think rightly of this as an appeal to save an endangered species.

Every year, about this time, I try to explain why literariness matters, why we all need a little poetics in our lives. You can find some of these appeals here and here and here. The same still goes for 2018. Please be as generous as you can. We’ve got some great authors and reviewers here who need readers. And your donation is tax-deductible.
-VN Alexander, Editor

Hard Mother by U R Bowie

Russia. Russia. Russia. Ever since the Wicked Witch of the West succumbed to the Reality Circus Clown, the popular press has been serving up reconstituted Cold War propaganda, declaring that the Russian “enemy” is brainwashing us through Facebook posts and massaging our malleable minds via sexy Russian public television hostesses. Clapper, former U.S. intel head, went so far as to warn us that all Russians are genetically predisposed to lying and meddling.

Before we learn to love the idea of trying to bomb them into oblivion, let’s consider the question of the Russian Soul. Who are these people? What characteristics do they share, if any, with you and me?

U. R. Bowie offers his meditation on Russianness in an extraordinary travel log through Ultimia Thule, the farthest point, exploring dreams, lectures and diaries. Hard Mother (Ogee Zakamora, 429 pages) is a challenging novel; never boring; persistently humorous, it is organized with staggering complexity, interweaving dreams with fiction with anthropology, flashing forward, back and around. The book cover warns the reader to “keep both hands on the wheel.” Good advice. Continue reading

The Trick of It, by Michael Frayn

 Two professors of literature, old friends, one in England (RD, our narrator), one having emigrated to Australia (R), are writing letters to each other. This suggests one of the many metaphors in The Trick of It (Viking, 1989, 172 pp.): “Forgotten questions and meaningless answers passing each other somewhere over the Indian Ocean at thirty thousand feet—an image of human communication. Of love and literature and life.” So is this an old-fashioned epistolary novel? Far from it. The Trick of It is a marvelous, sparkling-new one-way-epistolary and modern piece of metafiction. I would rank it right up there with Don DeLillo’s White Noise as one of the great comic novels of the twentieth century. Continue reading

Dactyl Review selected by Feedspot for Top 50 Fiction sites

Dactyl Review is unlike any other fiction review site, helping readers find the particular kinds of “literary fiction” they prefer. Because Dactyl is not a commercial site, they don’t favor the newest books or books by best-selling authors. They publish reviews of only the best literary fiction, older and new, as judged by other literary fiction writers.