This tale of the inner workings of city politics in Philadelphia, Worthy of This Great City (Jam Publishing, 249 pages), is what you might term an impressionistic novel. Meaning that it consists of a plethora of descriptions of people and scenes with very little progression of plot. The reader steps back from the many colored dots and contemplates the thing as a whole, and that’s when it begins to come into focus.
Teeming with characters who play minor roles, the book has essentially only two main characters. The first of these is Constantine Manos, an investigative journalist, who is doing a feature article on the second, Ruth Askew, a radio personality on a local station and the wife of Councilman Thom Askew. Continue reading
Sea of Hooks (McPherson & Co) was nominated by Barbara Roether, author of This Earth You’ll Come Back To. In her review of Hill’s unusual novel, Roether writes,
There is a paradox that floats through the Sea of Hooks, which is that the experience of reading it is almost the opposite of how it is written. That is to say, while the story is told in its short collage-like segments, their effect is an almost seamless classical narrative. The way sections move from multiple perspectives, dreamtime, real-time, then meld together with such cohesive and penetrating storytelling, is a testament to the author’s insightful eye for detail and character.
The wild horses in The Wild Horses Of Hiroshima (240 pages) are certainly intriguing, as with the title and cover art, and play a strong role at the story’s end by appearing in the streets of Hiroshima to wander about as a healing force, cared for by the citizens. They derive from the imagination of a novelist who is also a character in the novel, who is also creating a narrative. The horses seem to emphasize purity and nobility, pounding through the city in herds, a shield against nuclear war and against the violent nature of the human species itself.
This novel inside the novel begins approximately half way into the story, following a background beginning with the atom bomb attack on Hiroshima and its hideous devastation. A young American man has been a penpal with a young Japanese girl, and after the war, he goes to Hiroshima to find her. They marry and move to New Hampshire, bearing a son, Yukio. Yukio becomes a strong, husky young man who survives the attack of a bear which kills his father. He and his mother, Miyeko, return to Japan where he becomes a sumo wrestler. Time passes and he retires to write novels. The novel within a novel begins, with occasional returns to the exterior story of Yukio and his mother, plus Yukio’s geisha, Satoko. Continue reading
The abecedarium has a long literary history, and some of its best-known examples, such as Ambrose Bierce’s Devil’s Dictionary or Gustave Flaubert’s Le Dictionnaire des idées reçues, play with the form’s implied authority for purposes of satire. Recently Matt Bell’s Cataclysm Baby used the template to convey hellish fragments of an environmental dystopia. Suzanne Scanlon, author of Promising Young Women (2012), turns to a woman’s experience in contemporary America and offers a probing and artful inventory in Her 37th Year, An Index (Noemi Press, 161 pages). Continue reading
In Vox Populi: A Novel of Everyday Life (Texas Review Press, 211 pages) an unnamed narrator endures various brief encounters with strangers while out on errands—waiting for, paying for, or ordering something. Clay Reynolds must have been keeping a journal for years because his little tales ring true in their preposterousness. Truth is stranger than fiction. It is hard to believe people can be so rude, so tactless, so pushy, so dumb, and yet people are. Usually the unrelated event described in each chapter involves some implausibly insensitive and very loud person disrupting the normal course of humdrum business with performances that are as outrageous as they are unfortunately common. We’ve all have been shocked and appalled to witness such scenes in our own daily lives, and once home we say to our spouses, You’ll never believe what this crazy lady did at the grocery store, etc. Continue reading
“This morning I crossed a river on a horse made of lightbulbs.”
That’s just another day (June 4, to be exact) in Bob Schofield’s The Inevitable June (theNewerYork Press, 120 pages), an agreeably strange book structured around an unnamed narrator’s calendar for the month of June. Using text, cartoons and distinctive graphics, it is unclassifiable in terms of genre but it manages to create a self-contained world of its own. Continue reading
I love Scarlett Thomas. I love the fact she writes novels that are unabashedly about big ideas. Philosophical novels spliced with alternative theories from the worlds of science and medicine in the quest to find out what it’s all about. Life I mean. I also love the fact she isn’t too bothered by the intricacies of plot or character. In the two other novels of hers that I have read, PopCo and The End Of Mr Y, I got irritated when she reverted to plot or relationship details that interrupted the flow of creative thinking and speculation. So I am very indulgently disposed to her writing and accept that not everyone else might be so like minded. Continue reading