How should we suppose poor Isaac felt — son of a father all-too-willing to sacrifice him at the suggestion of some voice in his head? Christians are wont to overlook the obvious horror and absurdity of the Biblical tale. According to some (less awful) Jewish interpretations of events, it was perhaps Satan, as an agent of God, who spoke to Abraham, which would make more sense to those who imagine God to be not quite so sadistic. Either way though, what kind of man would this traumatized son become? In Isaac: A Modern Fable (Permanent, 223 pages), Ivan G. Goldman has arranged it so that Isaac, after the mishap at the altar, has been granted the gift of eternal youth. The identity of benefactor is not clear; the gift may be from Satan or from Jehovah. Isaac himself has never been able to decide, as his immortality and eternal youth often seem to him like a curse.
“I was pleased to discover in myself an uncanny knack for interpreting the hermetic language of alchemy, as if my book learning had been but a preparation for decrypting enigmatic texts, reading meaning into that which, on the surface, seemed meaningless.”
So says the unnamed narrator of Charles Davis’ The Pilgrim of Love: a ludibrium, an obsessively researched and elaborately plotted parody of an historical romance. (Parody, as I understand the term, is best written by an author who actually loves his target, but who can put some ironic distance between himself and his subject.) The story is set in the abbey of the legendary Mont Michel in 1621, when the absence of roadway access meant visiting pilgrims had to make their way around quicksand between dangerously unpredictable tides. The landscape always plays an important and often symbolic role in Davis’ novels. The pilgrims must interpret the patterns in the sand to avoid sinking in the lise. Continue reading
Pedro Ponce offers eighteen very short stories in this slender volume (Cow Heavy Books, 55 pages). Within the brief space Ponce delegates for himself not much can happen, but these vignettes do manage to develop vigorous fabula-like themes. In each short piece, a subject is opened, then skillfully closed. Continue reading
David Foster Wallace is clearly an accomplished and, at times, brilliant writer. If it were only a matter of judging his playfulness, innovation, and enthusiasm-sheer energy-it would be hard to imagine him scoring higher. For example, one of his conceits, Datum Centurio, features a hard copy version of a future (2096) dictionary which defines “date.” In Brief Interviews with Hideous Men (Little, Brown and Company, 288 pages) the innovative “story” mimics the complete typographical layout of a real dictionary and notes to the effect that with “compatible hardware” (e.g., a neural plug) we could get the entire “pentasensory” (i.e., virtual reality) illustrative support. The dictionary definition traces the ancestral origins of date to earlier in the century (i.e., our time) when the term was Continue reading