Spanish poetry translator, publisher of elimae press, and celebrated indie writer, Cooper Renner has written a debut novel Dr. Jesus and Mr. Dead (Ggantijia, 215 pages). The work is an amalgamation of historical fiction, and ebbs and flows across hundreds of years and multiple psyches. Disturbing, entirely entertaining, and expertly written prose which drawls in slow, southern sweeps, Dr. Jesus and Mr. Dead is dripping with beautiful language, harsh imagery and heady inquiry. Continue reading
Professor Pedro Ponce’s recent collection, Alien Autopsy (Cow Heavy Books, 55 pages) is a departure from his most previous work Superstitions of Apartment Life (Burnside Review Press, 2008), but the imaginative, elegant, if not sweetly written observations one finds time after time in Ponce’s work have not been sacrificed. The newest collection treads more heavily into realism and more lightly into the magical-realism that often echoes in his short work. Continue reading
Lindsay Hunter’s Daddy’s (Featherproof, 210 pages) is a fairly disturbing look at life in a southern rural area, though I think the book probably is meant to depict many rural areas. What the work is able to do, however, is entertain on more than one level through her craftsmanship in voice. The cold, matter-of-factness with which she writes is met in a simultaneous observational sentimentality, which works to then give us an inner clock-working machine we can hear clicking. Have you ever known a girl who has a deadpan sense of humor and this sort of distant manner yet simultaneously is obviously deep in existential thought? That’s what we’re working with here. Continue reading
Scott McClanahan is an author gifted with stating intuition implicitly. A part of our work as writers is to make sense, to distill, to state it both beautifully and with clarity, and yet in McClanahan’s most recent collection Stories II (Six Gallery Press, 155 pages), not for a moment, does the writing feel put on, on purpose, pushed. However, in these 155 pages, we find ourselves bathed in truth, relating universally, unequivocally taken to these very specific and personal stories, stories written in a very distinct Southern/Appalacia dialect, at that. Continue reading
Jackie Corley’s The Suburban Swindle (So New Publishing, 100 pages ) paints a specific place in a specific time with a specific aesthetic in a timeless style which transcends narrative mode and delivers a straight-served good story. Short works bound together through an ultimately honest, sometimes naïve narrator showcase Corley’s ability to communicate what it is to be a young, smart, bored person in the suburban life, which in its own way at times, reads as surprisingly feminist. Continue reading
John Reed’s most recent book, Tales of Woe (MTV Press, 204 pages), structured in novelistic intertwined short stories, is actually a work of non-fiction. Each tale is entirely true, which perhaps is ultimately what makes the book so difficult and simultaneously profound. We walk with Reed through the murky depths of the worse angels of our nature.
Part crime-log, part historical map, we follow countries in contemporary time into the psyche of many cruelties. Reed’s tight minimal prose reads poetic, ultimately serving the work both in realistic relay of information, but also in Continue reading