New Book Announcement
by Charles Holdefer, illustrations by Royce M. Becker
From Genii Magazine:
This wee tome is very attractive. Royce M. Becker’s design and colorful illustrations are beautiful.
Mr. Holdefer is an abundantly gifted, witty writer. His creation, his delightful doppelganger Blast, is a funny, goofy, erudite, Baron Munchausen of magic… Highly Recommended.
In Brother Carnival (Red Hen Press, 209 pages), a fiercely engaging literary work, Dennis Must plays with time and character, leading the reader into a special world of space and time, almost a quantum universe, where characters can be in two places at the same time–or can they? Laced with an intense investigation into the nature of divinity and deities, Brother Carnival weaves an impressive litany of human weakness into the warp-quest for the divine. These lines point to the nature of Our Problem: Continue reading
Russia. Russia. Russia. Ever since the Wicked Witch of the West succumbed to the Reality Circus Clown, the popular press has been serving up reconstituted Cold War propaganda, declaring that the Russian “enemy” is brainwashing us through Facebook posts and massaging our malleable minds via sexy Russian public television hostesses. Clapper, former U.S. intel head, went so far as to warn us that all Russians are genetically predisposed to lying and meddling.
Before we learn to love the idea of trying to bomb them into oblivion, let’s consider the question of the Russian Soul. Who are these people? What characteristics do they share, if any, with you and me?
U. R. Bowie offers his meditation on Russianness in an extraordinary travel log through Ultimia Thule, the farthest point, exploring dreams, lectures and diaries. Hard Mother (Ogee Zakamora, 429 pages) is a challenging novel; never boring; persistently humorous, it is organized with staggering complexity, interweaving dreams with fiction with anthropology, flashing forward, back and around. The book cover warns the reader to “keep both hands on the wheel.” Good advice. Continue reading
Lethem is the best fiction author writing today. Fact (usual IMhO disclaimers). Chronic City (Faber & Faber 467 pages) isn’t even one of his best, yet still knocks the socks off all his would-be pretenders. Every sentence is hand-crafted out of the marble of language with a literary chisel. Every word has a tiny detonation when placed next to the trip switch and timer of the other words in its sentence. You don’t believe me, try “his hide-and-seek muse” or “his bare-knuckly shoulders”. But having said all that, there was something slightly unsatisfying about this, his latest Meisterwerk. In thesame way that Quentin Tarantino really needs now to shoot a film without a gun or a sword in it, Lethem maybe needs to widen his canvas beyond that of New York City. NYC stands for many things, but is perhaps too idiosyncratic to bear the full weight of an investigation into hyper-realities for the whole world. Continue reading
Julian Barnes’ Flaubert’s Parrot (Picador 2002, 190 pages) is the story of one man’s quest, his “project” to find the writer outside his writings, despite Flaubert’s insistence that the books should be enough, the writer should disappear and be left alone. Geoffrey Braithwaite, this amusing novel’s British protagonist, is a medical doctor about sixty. He pursues museums, letters, literary works, criticism, and Flaubert the person in a long quest as unofficial biographer and tireless seeker. Continue reading
He is not a very nice person but he is fun – Nabokov describing the character of Pnin in a letter to his editor at The New Yorker
Readers of my third novel, The More Things Change, who at the current moment in time comprise a not entirely significant two, my current wife and my only daughter (though not a daughter to my current wife despite the fact she treats her like a second daughter), will recall – Continue reading
Pedro Ponce offers eighteen very short stories in this slender volume (Cow Heavy Books, 55 pages). Within the brief space Ponce delegates for himself not much can happen, but these vignettes do manage to develop vigorous fabula-like themes. In each short piece, a subject is opened, then skillfully closed. Continue reading