Published in 1967, Ice (Peter Owen, 158 pages) is a harrowing, oblique, beautiful novel increasingly viewed as a modern classic on par with1984 and Brave New World. Kavan creates a world overrun by vast ice sheets caused by nuclear winter. The anti-hero narrator, a man obsessed with a frail, stunning young woman, chronicles the doom he foresees for his world and the girl who is the object of his fascination. Kavan’s prose swerves breathtakingly from the delicate and the brutal.
Ice shifts between bleak realism and a haunted panorama of psychological terrors. The plot is episodic, evading conventional patterns. None of the characters has a name or is “likable” or “relatable,” as the current jargon has it; but do not read Kavan for those ends. Lyric mastery and a tone of brooding psychic disturbance are the bedrock of the novel, a startling penetration of beauty couched within doom. Continue reading
The protagonist and narrator in Minimum Maintenance (Bonnie’s Mews Publications, 240 pages) by Carolyn Colburn is a thirteen-year old girl named Sugar, named so because her mother didn’t want to say “shit” on camera. Sugar bumps along in the wake of her untethered mother from Minneapolis to Up North to Montana, Oklahoma, Nevada and parts in between, smoking cigarettes and joints, working on a tattoo and making fleeting friendships along the way. The title indicates the nature of Sugar’s childhood along the back roads, where dead cars pile high and outliers hang onto reality for dear life, doing what they do with drugs, booze, guns, sex, and hair dye. Continue reading
Before I begin this review, let me first recommend to anyone whom it persuades to read The Sea Trials of an Unfortunate Sailor (Amazon,198 pages), that after doing so they further benefit themselves by looking again at their copy of Herman Melville’s Billy Budd, Sailor that I shall, however, quote from extensively. Kurt Brindley’s accomplishment should come into even greater focus when looked at through the lens of the nineteenth-century classic novel. Continue reading
Tokyo, 1994. Japan is now well into what observers will later call the “lost decade,” a downward spiral triggered by the Japanese central bank’s bursting the speculative bubble of the 1980s. The seemingly inviolable climb of the Japanese economy—and society—has reversed.
Triangle, the 2001 novel by the respected Japanese writer Hisaki Matsuura released in its first English edition by Dalkey Archive Press (233 pages) this month, is an attempt to transform the Japanese downward spiral into a metaphysical thriller. But novels—even literary ones—based on conceptual ideas rarely work. Continue reading
Going Native (Vintage, 305 pages), published in 1994, was Stephen Wright’s third novel. Meditations in Green (1983) was inspired by his experiences in Vietnam during the war. M31: A Family Romance (1988) is set among UFO cultists, who rely on an autistic child to communicate with aliens. Going Native is—more or less—a picaresque novel that follows a sociopath who abandons his Chicago family to travel to Los Angeles. It is not an easy trip. It is not an easy book. But it is a fascinating one, and, as I hope to show, one that says important things about modern American life. Continue reading
In Escaping Barcelona (Smashwords, 230 pages), Henry Martin demonstrates a subtle mastery of first-person fiction. His protagonist Rudy is an aimless but amiable narrator whose decision to backpack to Barcelona is just a slacker lark until he’s assaulted and robbed upon his arrival. Traumatized and penniless, Rudy suddenly has to fend for himself. Continue reading
The following is my editorial of Arthur Graham’s Editorial (Bizarro Press Edition, 149 pages).
The following (edited) definitions of editorial are from Dictionary.com:
noun — an article presenting the opinion of the editor.
Whoever the editor is–the unnamed narrator, a young orphan who remembers “days of reading and masturbating in my room” but doesn’t remember, at the time of telling, what his age was (17 or 28)–is dumped by auntie and uncle into the cruel sea of the outside world with his heavy burden, a suitcase filled with dirty magazines. The narrator assumes that the reader is surprised: Continue reading
Vanessa Libertad Garcia’s first book, The Voting Booth After Dark: Despicable, Embarrassing, Repulsive (Fiat Libertad Co., 92 pages), is a slim volume of 23 short pieces, some of them poems, many of them first-person or third-person vignettes that capture a few minutes or hours of a given character’s “despicable, embarrassing, or repulsive” life.
Gritty and unflinching, the tone of the book is one of desperation and starkness as each character depicted—Marta, a young, disenchanted lesbian; or Diaz Diaz, a gay fashion designer, for example—speaks to us of their heartbreak, alienation, and sometimes of suicidal plans. The personas that Garcia invokes are products of a society that is too fast-paced, too materialistic, and too shallow for twenty-somethings or thirty-somethings trying to find a meaningful niche in life, as they struggle simultaneously to pay bills, be successful in a career, find true love, or simply forge a connection to someone or something outside of themselves that can make their lives fulfilling. Welcome to the underbelly of Los Angeles. Continue reading
With The Suburban Swindle (So New Books, 99 pages) Jackie Corley delivers a collection of memoir-like stories about drunk, pissed-off, reckless, late-teen and twenty-something Jersey suburbanites fucking up relationships and getting the shit beat out of them. The narrative voice, sensibly consistent throughout the collection and rising to a kind of tortured literariness, wedges a space between author-narrator (who is destined to get the hell out of there) and subjects (who aren’t going anywhere). The narrator is an outsider-in-the-making, not quite not-one-of-them yet, but well on her way. Throughout this collection, the language is kicking violently against the box it finds itself in, rebelling like a young suburbanite, trying to find its meaning. It’s angry and frustrated: Continue reading
Jackie Corley’s The Suburban Swindle (So New Publishing, 100 pages ) paints a specific place in a specific time with a specific aesthetic in a timeless style which transcends narrative mode and delivers a straight-served good story. Short works bound together through an ultimately honest, sometimes naïve narrator showcase Corley’s ability to communicate what it is to be a young, smart, bored person in the suburban life, which in its own way at times, reads as surprisingly feminist. Continue reading