Category / just literary fiction

by U.R. Bowie

The Melancholy of Resistance, by László Krasznahorkai (translated by George Szirtes)

Part One: “An Emergency: Introduction”

The Malaise

[Note: the part in quotes above is Krasznahorkai’s. These brief titles for various sections of the book are all he gives the reader to go on. I see this as a kind of perversity on the part of the storyteller, a middle finger stuck up in the face of the reader. Figure it out for yourself, sucker. Therefore, in my review—in aide of the reader—I sometimes provide chapter numbers and titles, the things the writer himself should have provided. A few breaks for paragraphs would have been a nice thing too. The words are crammed together in huge glomps on every page, so as to squeeze the tender brains of any reader. Dialogue is not set off in separate paragraphs, but placed in quotation marks in amidst the glomps.]

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by Vic Peterson

Fabian: A Cubist Biography, by Tom Newton

Tom Newton’s latest novel, Fabian: A Cubist Biography (264 pages Recital Publishing), presents itself as a biography of Fabian, a “disillusioned, would-be filmmaker.” Fabian, a civil servant in the British Ministry of Information during WWII, longs to make a groundbreaking film, but never quite does it. He creates a treatment. He thinks through his artistic desire. Leaving off a Godot-like deferral of Fabian’s planned film, the novel careens fantastically through epochs and ideas. We encounter Spanish conquistadors and Aztec priests, Dr. French (a time-traveling psychoanalyst), Junita (another enigmatic time-traveler) and more. Everyone has a backstory and place in intertwined narratives, arriving at a resolution that challenges the notion that a good book should tuck every loose end in place. 

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by Vic Peterson

Alexandria by Paul Kingsnorth

Alexandria (Graywolf Press, 408 pages) is a post-apocalyptic tale set a thousand years in the future, following a small band of survivors living in what once was England. The tiny clan inhabits a world where civilization has collapsed, and, not surprisingly, they have rejected technology, instead favoring ancient ways under a primigenial religion. They may be the last human inhabitants of the planet.

 The narrative revolves around the group’s opposition to a transhuman entity known as Alexandria. They were driven from their ancient homeland by the gradual encroachment of this anti-human force, which once spread across the planet as a successor to modern globalization. Now fully transformed into its posthuman form, Alexandria is in its mopping-up phase, tracking down the survivors with the assistance of an emissary known only as K. The novel unfolds as a series of monologues by the five surviving group members, supplemented by K, a loyal field operative for Alexandria who becomes entangled in the drama of the final collapse when he realizes that Alexandria has abandoned him. The surviving tribe’s language is hyper-simplified English, while K’s reports resemble a corporate memo. 

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by U.R. Bowie

The Friend, by Sigrid Nunez

Maybe a better title for this book would be Bereavement, since that’s the main theme. We begin on the first page with a description of Cambodian women who had gone through hideous traumatic experiences and who, subsequently, appeared to have cried themselves blind. That, in a sense, is what the narrator is doing throughout the pages of the novel: metaphorically crying herself blind.

Names are scarce in this book. The unnamed first-person narrator, like the author herself, lives in New York City and teaches creative writing in a university. They appear to be about the same age (sixties or early seventies), so Nunez—who at some point has lost the tilde in her last name (that’s a different issue)—could be basing the action of the novel largely on her own experience. We do not know, for all that, if she ever lost a best-friend-fellow-writer to suicide and, subsequently, adopted that writer’s bereaved dog, a Great Dane. More on the dog later.

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by VN Alexander

Middlesex by Jeffrey Eugenides

Like a hermaphrodite, Middlesex (Farrar, Straus and Giroux) by Jeffrey Eugenides is composed of two parts that are not usually joined together.

The first half of this 529-page novel is a memoir of an average Greek-American family living in Detroit. I was expecting a story about a person with genetic mutation that deeply affects his identity and sex life, but what is presented in that first half of the novel is a nostalgic tale of a Greek couple fleeing the Greek-Turkish war in 1922, settling down, in what was then becoming the Motor City,  having children, running into financial problems, and surviving a race riot.

None of this had much to do the immigrant couple’s grandson (née granddaughter, apparently). That novel didn’t start until the chapter called “Middlesex” on page 253 where an amazing coming-of-age story finally begins to unfold. Cal/Calliope was born with undeveloped genitals and was mistaken for a girl until puberty started to try to catch his body up at fourteen. Continue reading →

by Charles Holdefer

Hope and Wild Panic by Sean Ennis

Some writers refuse to get in line with linearity, or take up common cause with causality. In Sean Ennis’s Hope and Wild Panic (Malarkey Books, 202 pages), the reader finds a depiction of life in the contemporary U.S. with recognizable settings and characters—realism, in a word—but it is also fundamentally destabilized, relying on non-chronological fragments (chapters? flash fictions?) of only one or two pages to explore the lives of a middle-aged narrator and his family. One section begins as follows:

“Rejoice with me, I have beaten psoriasis. There’s this trick I have of not watching the news. Most things don’t happen, and there’s been some debate internally about the order of events. I keep losing things and the obvious answer is that they’ve been stolen! But the investigation is finished—it is what it is. A black government helicopter is circling, and I’m just reading my big heavy book like that’s just a ceiling fan. Our neighbors behind the house, across the gulch, have been growing marijuana. I wonder what for. A family of foxes is our other neighbor. Is there some apophenia going on here? Doot-dee-doo.”

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by U.R. Bowie

Son of the Morning, by Joyce Carol Oates

A man attempting to escape time and being in flesh, a man who does not wish to be, which is, for the most part, what all earthly creatures wish for most fervently: to be. In flesh. But for the most fanatic of religious believers, flesh is a problem. Time is a problem as well, and the most perfervid of believers seek timelessness and fleshlessness. Which is to be found where, other than in Death? One view: such a believer is beloved of the Lord, in that he is willing to renounce all earthly existence in flesh and being to embrace godliness. Another view: a person who refuses to accept the precious gift that God has given him—life in flesh with being in consciousness—is the worst of heretics. Is possibly even in the camp of Satan.

We begin on the first page with a direct address to the Deity by an unknown speaker; we begin with a man in flesh with time on his hands—someone crying out in the wilderness to the Lord. “You have promised that there shall be time no longer. Yet there is nothing but time in the desolation of my soul . . . I don’t want mankind, nor do I want the happiness of the individual without mankind. I want only You . . . There shall be time no longer, yet we are deep in time, and of it; and it courses through us like the secret bright unfathomable blood through our bodies, bearing us along despite our childlike ignorance of its power . . . Save me, O God, by thy name, and judge me by Thy strength and not by my weakness . . . I think of my mother’s broken body and of my father’s swarthy beauty and of my own soul, which drains away in time, minute after minute, even as I compose my desperate prayer to You.” Continue reading →

by VN Alexander

The Book of Sasquatch by Louis Conte

Part allegory, part action novel, The Book of Sasquatch (City Bear Press, 230 pages) by Louis Conte views humanity through the eyes of a misunderstood monster.

Flirting with magical realism, this novel gives Big Foot highly-evolved capacities for sight and hearing, allowing him to perceive what humans cannot, while remaining unseen. He mostly surveils human activity through windows and from the trees above. The humanoid can also communicate telepathically with others of his tribe; he can cover ground almost as rapidly as the crow flies, all of which skills make him a near-omniscient narrator, who relates the activities of the townspeople of Deception Falls, as they deal with the consequences of modern development and changes in local demographics.

We can say Sasquatch is a monster insofar as he is prone to let loose his righteous rage against those who harm the powerless. He is a figure of retribution. He is the spirit of the pristine forests of North America. The Big Foot tribe is aligned with Native Americans. Their ancestors took revenge against early settlers who brutally killed their friends and they have walked “in the shadows,” cursed ever since, and banished like Cain. Continue reading →

by Dactyl Review

White Knight by Mara Rotundo

Mara Rotundo’s debut novel, White Knight (Goldmund, 342 pages), is a love square set against the pandemic, literary fiction with strong elements of romantic domestic suspense and satire. It is a debut only in the sense that it is the first of her extraordinary writing she has allowed us to see. Her bio tells of many short stories and essays locked in a dusty drawer, like Bach’s music waiting to be found in that attic. If we could but read those writings, we would most likely find a step-by-step handbook for the development of a genuine writer, for in this book she springs full-grown from the loins of the muse, armed and dangerous.

For instance, these powerful lines start the romance,

“When her intrepid black eyes sunk their blade into his pudding face, a champagne cork popped somewhere. The earth’s rotation took a hit, the magnetic poles confused each other. She felt him melt, and he let her feel it.”

White Knight is a book of contradictions—a pulp novel love story on the surface. Continue reading →

by VN Alexander

A Book with No Author by Brent Robison

If the code, “Brent Robison,” were to undergo a random mutation—which in the writing world we call a typo—more likely than not, that “n” in the first name would jump, as even genes sometimes do, to the last name, where, as “Robinson,” it would create a more stable configuration.  And, of course the now isolated and wobbly “t” in “Bret” would likely undergo reduplication—as giraffe vertebrae have done—leaving us with the better reinforced product “Brett Robinson.”

Such are the circumstances that may lead a man to fancy he has a similarly-named double. If he is a writer of excellent literary fiction, he will take that fancy far. If he also moonlights in some other profession, say, as a photographer or videographer, the twinning can take on multiple dimensions. Continue reading →