We had many outstanding nominations for 2014 (and several late entries, hence the delay in announcing the award), and we are happy to congratulate Dennis Must for his fine work, Hush Now, Don’t Explain (Coffeetown Press in 2014), for which he will receive a $1000 prize.
In his review, Jack Remick called Hush Now, Don’t Explain, “a unique American novel, written in the language of the heartland before Jesus became a pawn in the political battle for the American soul. It is written in a subdued, subtle, understated lyrical style. It is as rich and diverse as America herself. It is at once a romance complete with trains, whorehouses, steel mills, and the death of the drive-in-movie theater.”
Here is Must:
These colossal land ships (trains) with spoked iron wheels taller than three of us…these were the engines of our dreams…Not like in the Pillar of Fire Tabernacle, where Christ hung on a cross and a single candle flickered under this feet…Everything inside the round house was glistening black, oil-oozing soot, except the hope curling out from under the bellies of those locomotives and their stacks, rising right up to the clerestory windows, then out to the sky and heaven. (109)
Thanks to Jack Remick for contributing the review. For more information about the Dactyl Award click here.
Every book reviewed on Dactyl Review is automatically nominated for the Dactyl Foundation Literary Award. The author or publisher just needs to contact us at email@example.com to accept the nomination and enter. Please see more info about the award here. Some very nice books have been reviewed this year, but we’ve only heard from a few authors and publishers. Please let us know right away if you would like your book to be considered.
Because we were unable to give awards in 2011 and 2012, due to lack of qualifying entries, we decided to give two awards in 2013. The first award goes to The Double Life of Alfred Buber by David Schmahmann, which was reviewed by top DR reviewer Charles Holdefer. The second award goes to Cocoa Almond Darling by Jeffra Hays, which was reviewed by Peter Bollington, also a top DR reviewer, and VN Alexander, DR editor. Both authors receive a $1000 prize. Congratulations to David and Jeffra for their fine work.
Cocoa Almond Darling (Kindle, 126 pages), by Jeffra Hays, is a rather intense, deliberately-paced story about a tailor Mr. Benton, his assistant Milly, and their daughter Nicky. The main action seems to be set in the 1960s, give or take a decade, and the story is told entirely from Milly’s perspective. The novel’s limited first-person narration is masterfully rendered by Hays, who allows the reader to experience a degree of empathy not possible except through the lens of skillful realist fiction. The language of the novel is plain. The narrator is not a gifted poet, nor especially clever or funny. She is not given to much analysis, but she does pay attention to detail, and she is sometimes capable of rather admirable self-awareness and honesty. Continue reading
Jeffra Hays’ Cocoa Almond Darling (Smashwords 2011, 126 pages) is the story of Millicent Randolph, survivor of a bad marriage and starting over in tough circumstances. These include finding a place to live and a job. She finds work in a sewing shop and enjoys a brief, happy relationship with her employer, in which she becomes pregnant although he is married. Her difficulties are then resumed through a long, turbulent aftermath to this affair. The turmoil continues following the birth of her child and on up to this daughter’s marriage and birth of her own daughters, when Milly becomes a grandmother. Continue reading
Pedro Ponce offers eighteen very short stories in this slender volume (Cow Heavy Books, 55 pages). Within the brief space Ponce delegates for himself not much can happen, but these vignettes do manage to develop vigorous fabula-like themes. In each short piece, a subject is opened, then skillfully closed. Continue reading
(Permanent, 197 pages) Who is Alfred Buber? In starkest terms, he is a respected Boston lawyer who falls in love with a Thai sex worker named Nok. Not surprisingly, they do not live happily ever after. This is not a book of neat resolutions.
But it is a story full of interesting ruminations, which are often amusing, sometimes provocative, and consistently engrossing. Narrated in the first person, the novel moves deftly between past and present and provides a nuanced portrait of loneliness. Continue reading
Professor Pedro Ponce’s recent collection, Alien Autopsy (Cow Heavy Books, 55 pages) is a departure from his most previous work Superstitions of Apartment Life (Burnside Review Press, 2008), but the imaginative, elegant, if not sweetly written observations one finds time after time in Ponce’s work have not been sacrificed. The newest collection treads more heavily into realism and more lightly into the magical-realism that often echoes in his short work. Continue reading
Shadowplay (Ellipsis Press, 137 pages) by Norman Lock, is the 2010 Dactyl Foundation Literary Fiction Award recipient. Lock’s novella is a dense fable, mixing magic realism with self-reflexivity. The entire story is given to us in miniature at the beginning, such that the novella itself is really a constant retelling–a folding and refolding–rather than an unfolding. A shadow puppet master named Guntur falls in love with Candra, who comes into his theater one day to buy puppets. When she dies of typhoid fever six days later, he falls into despair for many years, until finally he understands how to enter the world of the dead, Continue reading