Literary fiction about science remains an exception. When C.P. Snow voiced concern in 1959 about “Two Cultures” in reference to the growing gap between science and the arts, it created a stir. Nowadays, no one would debate the notion. It has hardened into fact.

Often, when literary fiction tries to engage with science, it tends toward speculative writing. For instance, Kazuo Ishiguro’s Never Let Me Go or Ian McEwan’s Solar or any of a number of Richard Powers’ novels. They show a hypothetical present or future and ask: “What if?” Continue reading →