Black Dogs, by Ian McEwan

Black Dogs: A Novel (Nan A. Talese, 149 pages) is a skillfully written novel on an interesting and profound topic. McEwan does a wonderful job describing June, an eccentric old woman, the narrator’s mother-in-law. He also handles what could be a very artificial story device in a reasonably natural way. The idea of the book is to explore the conflicts between mystical thinking and rationality, and the narrator is interviewing and writing a memoir on his mother-in-law and father-in-law who represent those views respectively. This passage exemplifies well McEwan’s sensitivity and talent as a writer; Continue reading

The Sea by John Banville

The Sea (Knopf, 208 pages) Spoiler alert. I don’t care for surprise endings, so I’m going to give this one away. If you’re at all like me, you may find it preferable to know more than what the jacket cover reveals about the story, that there was a death in the narrator’s childhood that he revisits in memory as an old man. It isn’t until the end of the book that we finally learn who dies, twin children with whom he had shared a memorable summer. They intentionally drown themselves. And although all suicides may seem shocking and unnecessary, these two especially so. The narrator also conceals Continue reading

The House of Meetings by Martin Amis

The House of Meetings (Knopf, 256 pages) is a narrative delivered as a long letter from an unnamed narrator, an 86-year-old Russian man, to his step-daughter Venus, living in Chicago. He is in the midst of traveling back home after many years in the U.S. The point of his journey is to revisit a work camp in the Artic where he had been held prisoner and slave laborer in the 40s and 50s. Particularly, he wants to visit the “house of meetings,” where, late in the labor camp era, the Soviets had begun allowing some prisoners to meet briefly with their wives. The narrator’s brother, Lev, Continue reading

Walk On, Bright Boy by Charles Davis

Set in Medieval Spain, Walk On, Bright Boy (The Permanent Press, 144 pages), a story of a boy’s first confrontation with political and religious corruption, strives less for historical accuracy than for universal applicability. Written with lovely economy and sensitivity, it is reminiscent of a fable or of a young adult coming-of-age tale. At the same time, however, it is also complex in its exploration of human foibles and conflicting philosophies.
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